Ira Glass Dont Shock You to Know This Scene Was Staged

On Sat, July 12, Door Community Auditorium (DCA) will present Reinventing Radio: An Evening with Ira Drinking glass. Ira Glass is the host and creator of This American Life, the laurels-winning public radio program that draws most 2 million listeners per week. Like his radio show, Glass is known for his shrewd journalism, compassionate insight, and wry humor. At DCA, Glass will speak with his trademark wit about This American Life and how it's put together: what makes a compelling story, how Glass and his staff find stories for the testify, and the show's journalistic goals.

Ira Glass began his career as an intern at National Public Radio'south network headquarters in Washington, DC in 1978, when he was xix years former. Over the years, he has worked on nearly every NPR network news program and held nearly every production task in NPR'due south Washington headquarters. He has been a tape cutter, newscast writer, desk assistant, editor, and producer. He has filled in equally host of Talk of the Nation and Weekend All Things Considered. In 2013, Glass received the Medal for Spoken Linguistic communication from the American Academy of Arts & Letters.

The New York Times writes, "Mr. Glass is a journalist merely also a storyteller who filters his interviews and impressions through a distinctive literary imagination, an eccentric intelligence, and a sympathetic heart."

This American Life was founded by Ira Glass and premiered on Chicago'south public radio station WBEZ in 1995. The show is now heard on more 500 public radio stations each calendar week. With a tone that ranges from light-hearted to sardonic to tragic, This American Life uses first-person narratives and editorial commentary to address everything from electric current events to man nature. Most weeks, the podcast of the program is the near pop podcast in America. The bear witness besides airs each week on the CBC in Canada and on the Australian Broadcasting Corporation'southward radio network.

According to The Nation, "What'south amazing is how new 
[This American Life] sounds. It has this beat all to itself….These stories float right into your brain and guild at that place."

Ira Glass' functioning is sponsored by Al Johnson's Swedish Restaurant and Butik, Peninsula Pulse, and Wisconsin Public Radio.

Ira Glass will speak at DCA at viii p.chiliad. on Saturday, July 12. Tickets for the concert range from $28 to $48. Accelerate reservations are recommended and tin exist made through the DCA box part, located at 3926 Highway 42 in Fish Creek. The box role is open Monday-Friday, 12-5 p.yard. Tickets can be purchased in person, on the phone at (920) 868-2728, or online at www.dcauditorium.org.

On Tuesday, July 8, Door Community Auditorium (DCA) presents perceptive, provocative troubadour Bruce Cockburn. Always a restless spirit, Cockburn is a Canadian vocaliser-songwriter who has worked for 40 years to capture in song the essence of human experience—and to brand that feel ameliorate whenever possible. Cockburn's unparalleled residuum of eloquence and passion ensures that his prized songbook will be celebrated for many years to come.

According to the San Francisco Relate, "Few musicians have been as curious, probing or provocative as Cockburn."

Equally a songwriter, Bruce Cockburn is revered past fans and musicians alike. His songs have been covered past such diverse artists equally Jimmy Buffett, Judy Collins, Anne Murray, Chet Atkins, one thousand.d. lang, Barenaked Ladies, Maria Muldaur, and the Grateful Dead'due south Jerry Garcia.

As a guitarist, Cockburn is considered to be amongst the world's best. The New York Times called Cockburn a "virtuoso on guitar," while Acoustic Guitar magazine placed him in the esteemed company of Andrés Segovia, Bill Frisell, and Django Reinhardt. Between travels to such far-flung places equally Guatemala, Republic of mali, Mozambique, and Nepal, Cockburn has embraced folk, jazz, rock, and international guitar styles and incorporated them into his intelligent, perceptive songcraft.

His songs, along with his extensive humanitarian work, have brought Cockburn a long list of honors, including 13 Juno Awards, an induction into the Canadian Music Hall of Fame, a Governor General's Performing Arts Award, and several international awards. In 1982, he was made a Member of the Club of Canada.

Bruce Cockburn'southward performance is sponsored by Al Johnson's Swedish Restaurant and Butik, Made in U.k., Ltd., and FLS Banners.

Bruce Cockburn will perform at DCA at 8 p.grand. on Tuesday, July viii. Tickets for the concert range from $22 to $38. Advance reservations are recommended and can be made through the DCA box function, located at 3926 Highway 42 in Fish Creek. The box part is open up Monday-Friday, 12-5 p.m. Tickets tin be purchased in person, on the phone at (920) 868-2728, or online at www.dcauditorium.org.

When Preservation Hall comes to Door Community Auditorium it's as if yous've stepped right out of Door County and fallen smack dab into the heart of New Orleans.

Two years ago, my married man and I were thrown caput starting time into the essence of NOLA and our local friends at that place made sure nosotros left with an experience that could never be replicated. We ate the local cuisine, fished the bayou, and soaked upwards the culture that i could not even begin to explain and do it justice. Simply a few years before, we had been to the surface area afterwards hurricane Katrina trying to selection upwardly the pieces of a city that really shouldn't be there. The city sits in a bowl and although natural disaster is inevitable, it's people cull to stand up past her no matter what scars she may bare.

Merely one of the places that shows the soul and the forcefulness of the New Orleans culture is found under a tiny sign and iron gate, practically subconscious, on St. Peters Street in the French Quarter. It's chosen Preservation Hall and although the name may make you remember information technology's a identify with a big stage and lots of tiered seating it is anything but; its draw is not the setting just the musicians in information technology. You enter the gate and walk up to a weathered desk where just cash will grant you admission. From at that place y'all enter a room that can't be more twoscore by forty and you instantly feel a vibe that makes your eye grinning. A vibe that makes you understand why people stay and why this sometimes imperfect city will never go away.

I play a short snippet I caught on my phone from that mean solar day every one time in a while just to accept me back to that sense of clarity. Information technology'south grainy and foggy from the humidity, but even a bad recording makes my arms tingle a fleck and pulls me right back into that question I only can't respond…what is it about New Orleans and how does this colorful group capture it all in a few songs? The 2d fourth dimension I saw Preservation Hall was at Door Community Auditorium and it was a scrap of a civilization shock when you step out onto the streets of Fish Creek instead of the slate walkways of the French Quarter. Information technology's the closest I've been to New Orleans since that night on St Peters Street, and we'll be correct dorsum there once again this Th, June 26th when Preservation Hall brings their signature sound and all those great memories of NOLA back to Door County.

A sold-out crowd was treated to a wonderful double-header concert at Door County Auditorium last Fri night. Judy Collins and Don McLean arrived on jet planes in buckets of pelting to sing the songs of almost one-half a century ago. Information technology felt like a celebration! Judy swept onstage with her long blonde hair flowing, dressed in black. After a funny lament about her lost luggage and guitar, and a tango with a too-tall microphone, she immediately started telling her stories. Judy did a neat chore of seducing us into our own memories with her deeper, merely still crystalline vocalization. Her tribute to Pete Seeger was very touching; her slam of Bob Dylan's treatment of Joan Baez in "Diamonds and Rust" used up every hanky in the hall. We didn't go an encore although we were happy to give our elegant American icon a standing ovation.

Then Don McLean and his band arrived. Afterward shoving the piano around and rearranging the stage, McLean yelled out to the guys at the light table to bring up the house lights, immediately erasing Judy'due south moody, atmospheric setting. McLean stepped up to the mike and told united states to pull up our diapers and go fix to work hard. "If you work difficult for usa, we'll work hard for you," he said. "Turn on your cameras and iPhones and get clickin'. Then, later a couple of songs, he stopped and told u.s. we were a terrible audition. He said he was older than any of united states of america (not true) just that he had more than energy than all of united states put together. We looked at each other. Did we just get verbally spanked past Don McLean? And then he sang "Crying". That did it. We stopped interim like nice senior citizens and got rockin'. People clapped and swayed and sang their lungs out. "Now you got it!" shouted Mclean, finally serving upward near 25 minutes of sweet "American Pie".

It's not every mean solar day that we get to revisit our teenaged selves with the music we loved from so long agone. Just, diapers? Really? Still, we were be-boppin' and singing our way through the wet parking lots, perchance wishing we'd find a turquoise Thunderbird waiting instead of a silver Prius. Maybe we'd turn on the radio and get our encore from Judy, a sweet rendition of "Who Knows Where The Time Goes". Indeed.

Don McLean and Judy Collins both burst onto the American musical mural in the 1960s with anthems that came to define a generation. In an extraordinary double neb at DCA, these folk-rock stars volition showcase the inimitable operation styles that made them legends. Grammy Hall of Fame inductee McLean's contemplative tenor is as unmistakable every bit the nostalgic groove of American Pie or the languid lyricism of Vincent (Starry Starry Night). Judy Collins' crystalline soprano sailed onto American airwaves with the megahit Both Sides, Now and remains iconic to this twenty-four hours, painting from an eclectic musical palette that includes folk, cabaret, pop, and show tunes. Together, Collins and McLean are unforgettable.

Engagement: Fri, June xx, 2014

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Major Sponsor: Al Johnson's Swedish Eatery & Butik
Supporting Sponsor: The Cordon Family Foundation

On Wednesday, July 2, Pokey LaFarge will bring his unique brand of old-timey "riverboat soul" to Door Community Auditorium (DCA). With a way that's both ragged and polished, LaFarge is a songwriter, bandleader, innovator, and preservationist whose arsenal of talents has placed him at the forefront of old-fourth dimension American music.

Accompanied by a top-notch fill-in band, Pokey LaFarge plays with a classic bluesman's confidence, infusing his performances with dynamic vocals, effortless wit, and proficient sometime-fashioned storytelling. Time Out Chicago writes of LaFarge, "His jumpy American roots music is pure joy."

Over the last decade, Pokey LaFarge has endeared himself to music lovers across the globe with his lively mix of early on jazz, string ragtime, state blues, and western swing music. Born in the American heartland and now based in St. Louis, Missouri, LaFarge has a Midwestern charisma that draws audiences in. Stephen Thompson of NPR says LaFarge "evokes the old-timey spirit of a m crackling 78 RPM records."

In the by, LaFarge has played with the likes of Jack White, The Raconteurs, Wanda Jackson, Sometime Crow Medicine Prove, and the Carolina Chocolate Drops. 2014 looks to be LaFarge'south most momentous yr withal, with a tour trail consisting of over 250 shows that includes appearances at clubs and festivals beyond the Usa and Canada, besides as two extensive tours in Europe.

LaFarge is currently touring with a 5-piece backing band, including his original bandmates, Ryan Koenig (harmonica, washboard, snare), Adam Hoskins (guitar) and Joey Glynn (upright bass); as well as Chloe Feoranzo (clarinet) and TJ Muller (cornet).

Pokey Lafarge is sponsored past The Blacksmith Inn on the Shore.

Pokey LaFarge and his band volition perform at DCA at 8 p.m. on Midweek, July two. Tickets for the concert range from $15 to $25. Advance reservations are recommended and can be fabricated through the DCA box function, located at 3926 Highway 42 in Fish Creek. The box office is open up Monday-Friday, 12-5 p.m. Tickets can be purchased in person, on the phone at (920) 868-2728, or online at world wide web.dcauditorium.org.

I can't wait to see what it'south similar to be in our pretty intimate Auditorium space with him, alive. One can check him out on the spider web, of course, and go an thought. However, who ever conjures upwardly much of a physical paradigm when they think of Ira Drinking glass? Don't you but mainly hear the voice, the unique speech pattern, the slow but suspenseful unraveling of whatever story he'southward telling? (A story that, if told by anyone else, simply wouldn't work.) I'thou actually curious to meet the facial expressions, the gestures, how he uses the stage, how he interacts with the audition . . .

After their house-rocking debut at Door Community Auditorium (DCA) in 2013, genre-bending sis ring Rising Appalachia returns to DCA on Sunday, June 29. Passionate and enthralling, Rising Appalachia centers on multi-instrumentalist sisters Leah and Chloe Smith, who wrap their haunting vocals effectually banjo, fiddle, kalimba, djembe, spoon, and washboard accessory, fusing a wide assortment of world music traditions with their own deep Appalachian roots.

Though they classify their music as "progressive Appalachian groove," Rising Appalachia is impossible to pigeonhole, mixing traditional folk songs with soul music, spoken word poetry, and fifty-fifty beatboxing. National Public Radio calls the resulting musical blend "aural divinity."

Since its inception in 2005, Rising Appalachia has toured almost 20,000 miles, gathering disquisitional acclamation and a devoted fan following along the manner. Their prolific self-sculpted career has too included 5 independently released albums, filled with the rich musical cross-pollination that has get Rising Appalachia's trademark.

In improver to their prodigious song and instrumental skill, Leah and Chloe Smith are known for integrating powerful social messages into their music. Leah says, "Music is the tool with which nosotros wield political prowess….We are building community and tackling social injustice through melody—making the stage reach out with octopus artillery to gather a bully family."

Critics and audiences agree that Ascent Appalachia has succeeded in their social and musical mission. Huffintgon Mail calls their work "the kind of music you can believe in."

Rising Appalachia is sponsored by Tapuat Kombucha, The Shallows Resort, and FLS Banners.

Ascension Appalachia will perform at DCA at 8 p.m. on Dominicus, June 29. Tickets for the concert range from $xviii to $32. Advance reservations are recommended and can be made through the DCA box part, located at 3926 Highway 42 in Fish Creek. The box office is open up Monday-Friday, 12-5 p.m. Tickets can be purchased in person, on the telephone at (920) 868-2728, or online at www.dcauditorium.org.

Amongst a tape-breaking kickoff for season and individual ticket sales, Door Customs Auditorium announces staff changes including a retirement, a promotion, and the improver of a new employee.

After 10 years of true-blue and diligent service, Eileen Phetteplace has retired from her role as Office Manager. Eileen plans to devote more than time to traveling with her husband, John.

Amanda Berby, originally from Rhinelander, Wisc., is DCA's new Office Managing director. Amanda has lived in Door Canton for two years and brings many years of feel in management and customer service to DCA. Amanda is excited to keep her career with an organization focused on enriching and challenging through the arts. Of her new position Amanda comments, "I'm particularly excited to welcome Ira Drinking glass and the entire DCA line-upward of artists to Door County and I wait forrard to meeting DCA's volunteers and patrons."

After iii years of employment as the Production Coordinator and House Manager, Jennifer R. DuPont has been promoted to Production and Marketing Director. Jennifer is a Door Canton native. Her new role reflects her twenty-four hour period to 24-hour interval responsibilities of making certain DCA patrons and visiting artists are all happy, safe, and having unforgettable experiences while visiting DCA. She is also responsible for making sure that word of DCA events reaches people far and wide.
Jennifer has a background in broadcast television production, and came to DCA afterwards a successful career in Atlanta where she worked for CNN and Turner Broadcasting. Jennifer is thrilled to have returned to Door County, and is happy to be able to serve her community and put her skill sets to good use at DCA. Jennifer is looking forward to the Ziggy Marley evidence and to pond in the bay without a wetsuit for protection.

Door Community Auditorium'southward 2014 Flavor begins on June 20th with a concert featuring Don McLean and Judy Collins. All are encouraged to stop by the box part to say hi to Jennifer and Amanda.

Date: Sunday, May eleven, 2014

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Source: https://dcauditorium.org/backstage/page/32/

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